
The dreaded moment has arrived; your manager has informed you that photographers will be coming in to take staff photos. Or maybe you’ve finally accepted you need to invest in a decent photograph for your LinkedIn profile.
If your heart sinks at the very thought, you are not alone. As a commercial photographer I have taken hundreds of professional/corporate headshots and very few people make highly natural, confident, eager-to-be-there subjects.
In my experience, the lack of enthusiasm for photoshoots are based on two things.
1. People are not comfortable with the actual process itself; with the fear of the experience usually ranging from mild reluctance through to extreme discomfort.
2. Worry about how they will look in the photograph. This may be due to the general lack of confidence many of us have with our looks, or sensitivity around a particular feature.
If this is the case for you, you’re completely normal!
Most people are not super-models or in love with their own looks.
So, given that photographs are now an important part of networking and marketing for professional individuals and companies, what can we all do to make the process, and outcomes better?
Well first of all, it’s the job of a commercial photographer to put you at ease. It’s not simply my role to set up the perfect lighting and shot. It’s to engage and work with you so you look and feel your best.
I’ll listen.
I’ll understand what you or your company wants to achieve from the shot – whether the look required is corporate, friendly and approachable, quirky and fun or something else. But I’ll also understand any worries. ‘I hate my teeth!’. ‘I look better from the left!’. Most people will have an exaggerated perception of their own concerns, however, though the lighting, angles and editing, I can ensure that everyone’s delighted with the end result.
But what can you do to help ensure you end up with a photo you love? Here’s my five tips for preparing yourself for your photoshoot.
1. Choose flattering clothes. Most people know the style and colour that flatters them. If you have a feature you’re less happy with, use accessories to distract (if possible). For example, a scarf around a long neck. It’s important to pick the clothes that fit your personal or company brand. If you’re a creative personality known for never wearing a suit, there’s no need to wear one for your photo. However, looking smart and presentable with ironed, clean, smart/casual clothes will be important.
2. Make sure you use a professional photographer who will bring with them a mobile studio with professional lights. Getting a colleague or friend to take a picture will never give the same professional outcome that will flatter. So many amateur photographs suffer from bad exposure and if that’s not enough to persuade you perhaps this is - the right lighting can make all the difference to eliminating dark bags under the eyes and complimenting different shape faces.
3. Ensure the background does not distract from you. A mobile studio is always going to be far better in terms of the background, or at the very least find a plain, nice, light wall. So many so-called professional shots contain backgrounds of bars/holiday restaurants/other people or objects/unsightly walls or fences. It’s distracting and it’s unprofessional.
4. It’s hard I know, but try to exercise a positive mindset before the shoot to love the camera. The photoshoot is happening. You want the photo to portray you as a confident professional who clients trust to handle their business. Yes, it’s a case of stepping out the comfort zone and acting a little. But take a hint from the top models who look right into the lens; imagine something that makes you smile and your personality will shine through. You never know, you might even enjoy yourself!
5. Depending on your business, add a creative edge by including a prop or accessory. It can add interest or an element of fun to the photo, portray what you do and make you stand out from the crowd. For example, mine involves me holding my camera. My camera is an integral part of my personal brand. It sums up what I do. I feel happy and natural with a camera in my hands. If there’s something similar that works for you, or even an unusual but complementary business setting, then let your photographer help you get creative.
If you follow this guide, your photoshoot will be a painless, even fun experience, with spectacular results. Good luck!
For examples please click on link.
http://www.amandaduncanphotography.co.uk/p188089029
Ten tips on how to ensure your food photography looks classy, not cheesy
In photography terms it should be simple. Food is an inanimate object. It can’t shuffle around like people, you’re not reliant on weather conditions and you can control the lighting and the setting.
‘Intagramming’ food is now ‘a thing’. Everyone with a phone appears to be capturing meals out or homemade delights for public consumption.
But oh boy, can it go wrong.
If your trade is a restaurant, catering or food supplier of any sort, you need to get your food photography right.
The challenge is, that usually when we judge the appeal of food, we don’t just use one sense. We use smell and taste, we’re likely to be hungry and all our senses will be shouting ‘let me eat you now’.
But when it comes to viewing photographs of food; we must rely on one sense only; sight. Many meals without the benefit of smell, taste and appetite are simply not going to cut the mustard visually.
That’s our first problem.
The second one is that the purpose of the food photography is absolutely key to the photographic style. Think kebab shop pictures vs high end restaurants. Think good affordable, chain restaurant family grub vs Michelin Star artistry.
Depending on the type of food, ambience of the establishment, audience, brand and where the photography is to be displayed; any photographic shoot involving food will require an entirely bespoke approach.
Which is where a seasoned commercial photographer comes in.
An experienced photographer will be able to advise on dinner and glassware. Lighting. Setting. Creative ideas such as showing ovens or chefs. Arrangement of food to show it off in its most appertising light. Working with dishes that may not work well in photography (think enormous portion of saucy curry; it’s the last thing most people want to look at).
So here’s my top ten tips for ensuring the food images on your website or menu make your customers’ mouths water and stomachs rumble;
1. Ensure the presentation is as good as it can possibly be. Clean table and tableware. No clutter or distracting objects in the background or foreground. Food placed carefully and beautifully on a nice plain colour table.



2. Think about the choice of dishes you use on your website. Those covered in a sauce will need to be carefully thought out to ensure they are visually attractive. A garnish or sprinkling of a topping may provide a pleasing element and variety to a dull looking (albeit delicious) dish.
3. Ensure food does not look dry or curled up; you may need to be producing food and photographing in quick succession.
4. Use crockery and portion sizes that are accurate and reflect your brand. Bustling family authentic Italian? Use Mediterranean crockery; show the portion sizes you offer, perhaps incorporate other items that support the brand such as olive oil dispensers or a bread and olive basket. Contemporary/stylish high-end cuisine? Use large size white plates. Present the food like a work of art, using the space carefully. Show off unusual dishes and features.



5. Get the lighting right. The lighting is crucial with any photography, but especially with food. Allow as much natural light as possible to set off true colours and vibrancy of the food. Check, and be aware of the lighting used in a restaurant setting. Tungsten or fluorescent lights can affect the colour balance in the camera, with unappetising orangey or blue-tinged results.
6. Accessorise in a stylish manner. A napkin here. A piece of cutlery there. Something to add a little creative touch to the scene.
7. Be careful when you hit zoom. A zoom should be a wonderful thing when it comes to food; showing off the item in all its quality and mouth-watering splendour. But you’ll need to know what you’re doing.




8. Watch your angles. A shot taken at a slight angle can cause plates to look lopsided and distract from the food. Clever use of angles however can make a tall glass look majestic; a long platter appear endlessly enticing or aerial plate shots look funky and artistic.
9. Photographing drinks or fancy cocktails? Again, artistry, style and lighting is everything. Vibrant colours, interesting background and sparkling clean glassware can make for stunning, dazzling irresistible beverages. Otherwise, it’s just an expensive drink.



10. Choose a commercial photographer who has experience in food and drink photography. It really is a specialist skill. Done well it can ensure your food products sell like hot cakes.
If you would like to see my food photography portfolio, feel free to contact me.
Bon appetit.
How to achieve perfect imagery, without the pain.
By pain, I’m not referring to physical pain (although a headache is possible). I mean stress. Time. Going goggle-eyed and still not finding exactly you want.
This is the experience often associated with trawling stock libraries.
Of course, if you’ve copious amounts of time on your hands and a very high boredom and stress threshold; then fill your boots.
But in my experience, most business owners or digital marketers have significant demands on their time. Running their businesses. Dealing with customers. Designing websites and marketing collateral.
Which is why bespoke commercial photography makes so much sense.
Stock libraries have their place. In blog posts and in some marketing contexts, they may do just the job.
But for a marketing campaign; a website; in a visual material that needs to reflect your brand image and values to absolute perfection; only bespoke photography can deliver and grow your business.

And bespoke photography doesn’t just have the potential to deliver stunning, effective visual results.
It can do so quickly and cost effectively.
Time is money.

As I’ve already mentioned, trawling through stock libraries takes time. A lot of time. You may think what you want is easy to find. E.g. Let’s say you’d like a shot of business people looking at their phones. Sounds simple enough, right? But once you start looking at the images, concerns creep in.
The phones look dated – they aren’t smart phones! You need a diverse demographic of people in the picture! They don’t look like they are based in the UK! The background is too corporate or too casual! The dress doesn’t look up to date! They clearly look like models not every day people!
On and on you go, trawling away. Opening, discarding, opening discarding. Until before you know it, hours have passed. You’ve neglected the work you should be doing. And you’ve settled for a less-than-ideal image out of sheer exhaustion.
If you’re paying your web or graphic designer to do the hours of searching; okay, you’ve saved yourself the headache. But they’ll be charging you for the privilege. And there are far more effective ways for you to spend your money.
For the time or money you have spent on image library search you could have had your own professional photoshoot well underway. Following a call, a brief and agreement on budget; a commercial photographer will take care of the rest; leaving you to take care of your business.
You want your business to stand out, not blend in.

Bespoke photography is just that, bespoke. Yours and no one else’s; reflecting your brand, your values and your image. Obviously, there’s a massive selection of stock images available. But the picture you select may be used by multiple businesses. It was not shot with your business’s proposition and unique selling points in mind. And they can date very fast.
Often when searching through image libraries you’ll come across many that you’ll think ‘that would be perfect, if only’ and you’ll either continue searching or end up spending money adapting the image through editing and photoshop work with a graphic designer.
Order your own photoshoot, and you’ll get what you want straight away! If your brief is ‘we want our business to look contemporary, edgy, fast moving, innovative and subtly get across our corporate colour’; your photographer will be able to advise on the subject, photography style and finish that will achieve this visual effect.
Using skilled editing techniques, saturating colours, lighting and backgrounds, a photographer can create a unique brand and look for your business that will engage and appeal to your target audience. It will be memorable and powerful and become distinctly yours.
Exactly what is needed for marketing materials and websites to stand out in the market and drive sales.
Want to keep up with the trends? Blend stunning photography with effective graphic design.
If you want – or need – to show your business as innovative and on trend, bespoke photography is more integral than ever to achieving this.
According to this graphic design trends for 2018 article https://graphicmama.com/blog/graphic-design-trends-2018/photography is going to play a big role in design this year.
Creative and artistic photography, blended with graphic design and typography, may be the perfect solution to connecting with your target market. It can bring out emotion. Humour. A sense of mystique, excitement and appeal around a product or service.
If you’re investing in imagery, then you want that investment to deliver returns in responses and reactions. In other words, have impact. Your budget will be well spent paying a photographer to use their expertise and technical skills to ensure you sport the latest look and feel for your particular sector.
To achieve all this?
All you have to do is place the call. Give the brief.
Then sit back and enjoy your perfect portfolio of photographs – achieved without the pain.
[email protected] 07767 776839
Seeing is believing, why commercial photography is essential to sales

You can tell people until you’re blue in the face. Luxury this, high quality that. If what you’re selling is visual; something that people will look at and be awed, then you need to show it.
People are cynical. It’s so easy to set up a website these days for any business, populate it with stock shots and portray professionalism and high standards. But the proof is in the pudding. If you claim a product is a certain quality and it doesn’t match up to your claim; three things are likely to happen.
Not a position any business wants to be in.
This pattern is very familiar in the hospitality industry. How many times have we all read a hotel website, thought how amazing it all sounds, only to read down to the reviews. Suddenly the reality hits; ‘tired décor’, ‘dirty carpets’ all sorts of unappealing and contradictory critiques come out of the woodwork.
But with bespoke commercial photography there’s nowhere to hide.

If you’re in a position to showcase something stunning, you need to maximise on this sales opportunity. Potential customers and clients will use the images they see to differentiate between their options (in other words, you and your competitors). They’ll be drawn in to the brand and quality of your product, or the feel of your environment, heightening their interest in it. You’ll be able to support, reinforce and evidence the words that you use; as your descriptions and imagery match up. And the suite of photographs can take centre stage in your website and other marketing collateral, showing that you have nothing to hide and everything to be proud of.
If you look at most luxury, high end type websites; high quality photography will be the key feature. It conveys a feel for the product or place and without them knowing it, gets the customer involved.
But don’t make the mistake of thinking that your product or service looks so magnificent that it will simply sell itself with a few amateur shots or photographs taken on your phone. As good as amateur photography can be for some purposes, it will never do a product or a larger environment such as a hotel or restaurant justice. Achieving high impact, stunning images takes a considerable amount of skill and specialist equipment. This includes;

And the photography keeps on giving…
In the case of the Sandman Hotel at Gatwick; this photoshoot of a luxury hotel not only has created a high impact, beautifully visual website but has led to further PR and being featured in a five-star luxury magazine. Every space, every room and every corner has been carefully captured in its most positive and awesome light, so that the viewer almost feels like they are there. The fact is, when you know what to expect and you can see for your own eyes, you’re more likely to buy.

So if you’ve got it, let a commercial photographer flaunt it. And you’ll soon see the fantastic results. To contact Amanda for more information email [email protected]
Five ways to make a standard portrait shot anything but standard
What do you think of when you think of a professional portrait or a profile photograph?
Probably this.
White background. Head and shoulders. Slightly turned towards camera. Suited and booted. Corporate looking. Like it belongs on a gallery of executives in a Boardroom.
For some professionals, this might be perfect. Exactly what is needed given the purpose of the photograph (for clear identification); for consistency (if part of a firm-wide project); for brand (if corporate, formal is the appropriate image).
But a professional profile image does not have to be this style. Indeed, for many professionals this approach could be all wrong. As a commercial photographer, here’s just some of the many reasons why a more creative, individualized, interesting portrait may be required;
The subject is not relaxed or comfortable being photographed. In this situation, a ‘standard’ posed shot may simply not work. If you’re not comfortable (despite the best efforts of your photographer to put you at ease), your photograph could look strained, unnatural and uncomfortable.
The subject has a particular feature they are self-conscious about. Very few of us are wildly confident about our looks. But perhaps there’s a specific issue that you can’t get past, and you need a photographer to be flexible and creative to get around it.
You have a big personality and you need your portrait to reflect and capture this. If you’re known for being creative, quirky, funny or any other personal attribute, people may not relate to the posed corporate style image. This is especially the case if your business proposition centres around your personality and personal attributes. You need existing and potential clients and customers to recognise, connect and engage with the real you.
Your job or business is far from a formal corporate based one. Perhaps you’re a pest controller. A public speaking expert. A hairdresser in a creative, contemporary salon. Working in the arts. Your professional image needs to capture your industry, profession and business brand, all in one shot.

You want to stand out. You don’t want to look the same as everyone else, because, well, you’re not. Perhaps you’re an entrepreneur. Maybe you’re starting a new business or growing your existing one and you want people to know you’re going places. A new, interesting portrait could attract attention and engagement from other professionals and prospects for all the right reasons.

The question is how can this be achieved? How can one professional portrait to be used on a personal or company website, LinkedIn and other networking platforms, really encapsulate personality, business brand and desired professional image.

Well here’s how it can be done.
Background. Amazingly enough, this does not have to be white. It can be dark. It can be a colour. It can have a relevant object or scenery behind. Or course, to work with these non-standard backgrounds will take some skill and expertise with lighting, staging and post-production, but it can result in a truly stunning, stand out and unusual image.

Environment. Very often a studio is best – enabling tight control and management of the background. But it could be that based on your profession or personality, a working site based image is more appropriate. It could also make you more comfortable. Or it could be based somewhere else relevant and appealing that adds a touch of creativity to your brand.

Pose and expression. You do not have to be perched on a stool, slightly angled, for a head and shoulders shot. You could be looking face on to the camera. You could be gesticulating in a way that is recognizable to you. You could be standing, looking relaxed and happy. You could release the inner actor in you (if there is one) and use some expression or action shot – so long as your face is still clear. This is your opportunity to get across your personality and a good photographer will be able to work with you to bring out your best features.

Clothing. Don’t feel that you have to wear a suit, or any kind of formal attire. That’s not to say look scruffy and unkempt. Of course, you need to look smart and professional, whatever your business. But if customers and clients are most likely to see you in branded uniform with your company logo, this might be the right look. If you generally sport a more casual but stylish and distinctive look, stick with this as it’s how you’ll be most identifiable and comfortable. The key to this is to be smart and be yourself.

Props. There may be occasions when a relevant prop may add an interesting, useful, amusing or creative dimension to your portrait. It may help to convey what you do. It may add humour and help raise curiosity and interest. It’s another aspect of photography though which needs careful planning, thought and management. Don’t risk looking silly, cheesy or odd. Let a professional artistic photographer get the look right.
So for all these reasons, a standard portrait need not be standard. A professional profile shot can be both professional and personal.
A professional photographer, particularly one with artistic and creative talents, will get to know your personality, objectives and preferences. And then, a suite of photographs can be created that reflect the real you, add value to your business and make you proud.
If you’d like to find out more about portrait/profile shot photography, please call me for a no obligation chat on 07767 776839.